WHEN DOCTORS DISAGREE
Looking for Mabel
It was eight or nine years ago, a post was made at alt.movie.silent, which I only found out about on
At the time the alt.movie post was written it indicated that there were two Mabel Normand - Samuel Goldwyn films in existences “What Happened To Rosa” and “When Doctors Disagree”, wait “When Doctors Disagree” existence??? Remember in 2001 Steve Massa had not yet made the announcement of finding “Head Over Heels” nor had a Dutch copy of “The Floor Below” been screened.
This is such marvelous information, I sent out emails to some of my friends asking what they knew about “When Doctors Disagree” and I was not disappointed. First news that in a 2002 book on "Those
So what is this fragile 90 year old film about?
WHEN DOCTORS DISAGREE
Production Company: Samuel Goldwyn A Star Series
Distribution Company: Goldwyn Distributing Corp.
Duration: 5 reels. (50 minuets)
Black & White
Catalogue of copyright entries, Volume 16, page 1575, #13301
Director: Victor L. Schertzinger
Writer: Anna F. Brand & Melville W. Brown
Cinematographer: Percy Hilburn
Production Assistant: Ray Moore
Mabel Normand (Millie Martin)
Walter Hiers (John Turner)
George Nichols (David Martin)
Fritzie Ridgeway (Violet Henny)
Alec B. Francis (Dr. Harris, Sr)
William Buckley or Pomeroy Cannon (Dr. Harris, Jr)
James Gordon (Dr. Turner, the uncle?)
Nick Cogley (Bandleader)
In “When Doctors Disagree” Millie Martin (Mabel Normand), the village gawky hoyden of Ferryville incurs the enmity of the whole town when during the May Day celebration at Ferryville, She pulls up the Maypole and drags it through the woods and gets tangled in its gaudy ribbons. Millie Martin, whose skin flint of a father (George Nichols) will not buy her appropriate clothes, watches as Violet Henry (Fritzie Ridgeway), the daughter of the town's richest man, being pushed into a stagnant pool by the village “bolsheviks”. Millie pulls her out.
According to another article, she swings onto a branch dangling her feet and swinging herself by her hands, hanging opossum like and at length “shinnying” up the barky trunk at the expense of the skin on both her hands until she reaches the topmost branches. Millie jumps over a picket fence rather than going through the gate to enter the farmhouse yard (It is just her style.) Millie’s father was amused with the story of the Maypole. He gave her a dollar; Mallie buys beauty cream in getting ready for her first railway journey.
On the train, Millie meets a fat young man, John Turner (Walter Hiers), a carpet layer disguised as a doctor. Earlier, John fought with a man caught cheating at poker, he thought the cheater was killed. He gripped his uncle doctor’s bag and his uncle's railway ticket. After Millie feigns a toothache to get John's attention, her father, to avoid a doctor's bill, gives her chewing tobacco as a remedy.
When she swallows a plentiful quid of it, and not knowing what to do John orders an operation, the train stops at a nearby sanitarium. Millie panics and gets entangled in the capacious folds of her hospital nightgown, slides down a rope made of twisted bedclothes from the third story of the hospital and escapes into the maternity ward where John finds her in a room with a baby and mistakenly thinks she has just given birth. Millie and John, her plump idol, steals a Ford automobile and Millie drives it through puddles of water and at length gets stalled in the middle of a creek, through which she coaxes the Ford with comic results. John is mistaken for a burglar but after his uncle (James Gordon?) arrives to straighten matters out, John and Millie explained and they are free to pursue their romance and the two fade out hand in hand.
When the Goldwyn Production Company moved from Fort Lee, NJ to Culver City, CA, in the spring of 1919, Victor Schertzinger began to direct Mabel Normand, “When Doctors Disagree” was the first film they made together, it was followed in quick succession by 6 more, released on the following dates: Upstairs - Aug. 1919, The Jinx - Sept. 1919, Pinto - Feb. 1920, The Slim Princess - July 1920, What Happened to Rosa - Apr. 1921, Head Over Heels - April 1922.
One review descripts her work in “When Doctors Disagree” as showing cleverness as a pantomimist. She cold creamed her face -- giving it a clown like effect and makes her shapely arms look long and badly proportioned. She played an awkward country girl and she wears her clothes without grace and then transformed into a society butterfly. The reviews reported that there were moments of pathos in the picture and she switches from fun to sadness in the twinkle of an eye. Mabel’s personality dominates every scene.
Victor L. Schertzinger, who Mabel called “Pop” in directing her gave Mabel her head in “When Doctors Disagree” and prove himself a man who understood how to work with Mabel thus giving her fans the kind of character that had proved a success in the past. Here was the old Mabel a “bewailing gene glimmer of her eye; cross-eyed, knockneed, tanglehaired, dirty handed awkward, ragged charms of her.”
The scenes of the sanitarium were shot on the grounds of the Whittier State Reform School -
The very next day Mabel had a surprise for the boy when she arrived with, in one hand a photo in a nice frame and in the other a permit from the county authorities to take the juvenile offender for a ride with her in her car.
The reviews of the animated, action full fun-making vehicle were very well received. Picture World of
Hiers seems an odd romantic lead but the overweight Hiers was Goldwyn’s answer to Roscoe (Fatty) Arbuckle. It was with the pairing of Mabel & Roscoe that Keystone was able to create many successful films and “When Doctors Disagree” was Goldwyn’s answer. Mabel’s co-star Walter Hiers was well liked by the audiences, in his over 80 films.
The work of Percy Hilburn as the cinematographer was also recognized for his excellent choice of scenic waterfalls, streams and deep valleys for this film in the
The scenes filmed in the woods were done in the
Requested that scenes and titles needed to be eliminated before they could screen it in Kansas, it was reviews May 26, 1919, ELIMINATE SCENES AND TITLES INDICATING DOCTOR SUSPECTS MABEL TO BE THE MOTHER OF CHILD AND HER EXPLANATION AND IN REEL 5 - TITLE "WE GOT A TELEPHONE AT OUR HOUSE - I'M GOING TO FIND ABOUT YOU BEFORE I GET FAMILIAR WITH YOU."
Here’s Our Prairie Flower Back, Wild Like she Uster Be!
By Mae Tinee
Well I chucked for an hour and now I don’t care if it does look like rain (That’s what a good laugh does for you!)
Doctors are always more or less funny when they disagree, as any patient soul with a sense of humor has realized while under their ministrations. They are, however, seldom so hard put for a solution to a problem as they are in case of Mabel, who on her first train ride looks in the eyes of a fat young man; forthwith chews tobacco and lands with her hero in a sanitarium.
You meet Mabel being insulted by a haughty queen o’ th’ May whom she repays for her impertinence in truly Mabelonian fashion, exactly as she used to accomplish such acts in the old Keystone days. You then excitedly accompany her rough and tumble progress through a series of incidents that give her a chance to exercise every fascination supposed to be peculiarly hers. She’s a gawky hoyden; she’s a spoiled child; she’s Mary Pickford; she’s Charles Chaplin. She caps the climax as Mabel in a Nightgown, escaping with her plump idol in a stolen automobile from the sanitarium, which she leaves in a disrupted condition awful to contemplate.
The director gave his star her head in this production and thereby proved himself a man wise in his generation. Miss Normand doing things properly was not a success. Her admirers went with solemn regularity to see her. But it was solemnly they went “for old time’s sake.” A mournful procession of old gentlemen, fond of congregating in office building after the show and reminiscence on Mabel as she used to be; bewailing the gene glimmer of her eye; the disappeared, cross-eyed, knockneed, tanglehaired, dirty handed awkward, ragged charms of her.
But now they may cheer up and don red neckties again. Mabel in “When Doctors Disagree” is “the old Mabel” and she has a lot of good assistance from her cast.
1919, May 06; Dramatic Mirror, “Normand’s New Role”
1919, May 10; Picture World, “Crowded with the subtle comedy touches by Mabel Normand”
1919, May 20; CHICAGO DAILY TRIBUNE, page 22, Mae Tinee Here’s Our Prairie Flower Back, Wild Like she Uster Be!, ( a gift from William M. Drew)
1919, June 07; The Moving Picture World, page 1428
1919, June 08; Oakland Tribune, American, article
1919, June 11;
1919, June 21; The Fort Wayne New and Sentinel, page 14, “Pity the Poor Nurses With Mabel Normand in Sanitarium!”
1919, June 21; The Moving Picture World, pages 1724-1725
1920, March 20; Dramatic Mirror. “Before They Were Stars: Mabel Normand”
1920, May; Photo-Play World, by Truman B. Handy, “Mabelescent”
1930, September 27;
AFI, When Doctors Disagree, general data
alt.movies.silent on November 25, 2001; Jon Mirsalis posted that of the 165 features produced by Goldwyn Pictures from 1917 to 1924, only 26 were known to be in existence.
IMDb, When Doctors Disagree
Date of Review: 1919-05-26 Company Name: GOLDWYN DISTRIBUTING CORP. Starring: MABEL NORMAND
Box Number: 35-06-07-07
Mabel Normand Source Book, William T. Sherman
Those Magnificent Mountain Movies, W. Lee Cozad. Pub 2002; chapter on When Doctors Disagree & Mickey
Thanks are due to:
Rob King update on the Belgium copy of