Looking for Mabel Normand

Madcap Mabel Normand

JOCELYN LEE

 

 http://jocelyn-lee.webs.com/

 Jocelyn Lee

was very good at being very bad

…she almost stopped

 

ARBUCKLE 1928 PARIS

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ARBUCKLE IN PARIS MARCH 28, 1928

 

 

RUSSELL A GAUSMAN

Mabel was a friend of

Russ A. Gausman in 1920

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ADELE BLOOD

NUDELMAN, ROBERT W.

MARGARET GIBSON

MARGARET (GIBBY) GIBSON

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OF GIBBY AND WILLIAM DESMOND TAYLOR

GANCE'S LA ROUE

  L A   R O U E  

 

D'ABEL  GANCE

 

(PRESS IMAGE TO LINK)

HOMER SCOTT

HOMER SCOTT

THE CAMERAMAN THAT  PAINTED WITH LIGHT 

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MARY PICKFORD 1910

 

MARY PICKFORD IN 1910

 

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TOM INCE

Helen Ferguson

WHO WAS HELEN FERGUSON?

Marjorie Beebe

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to information on Marjorie Beebe

Elgin Lessley

MELBOURNE SPURR

Ferris Hartman

KEYSTONE KOPS

ANNA MAY WONG

ANNA MAY WONG

AT

PORDENONE 2007

“ANNA MAY WONG – FROSTED YELLOW WILLOWS: HER LIFE, TIMES AND LEGEND" (Woo Neiman Productions, US 2007)

 

Katherine Fitzgerald Roscoe's Friend

ROSCOE'S SPECIAL FRIEND

 

Katherine Fitzgerald

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SENNETT OBELISK

THE SHOWDOWN at CINECON43

Her Wild Oat - Colleen Moore

DOROTHY VERNON

Romaine Fielding of Lubin

ROMAINE FIELDING

1914 LETTER TO A FAN

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Kevin Brownlow on Abel Gance

http://www.youtube.com/watch?v=GJ2kRzJajyo&mode=related&search

 

I am spending far too much of my time on YouTube but none of it has been wasted.  Just today, I found another video posted by our friend Bruce Long. 

 

This time Bruce has given us, Kevin Brownlow, the silent film scholar in an interview done sometime during the 1980s on Abel Gance. It runs about 4 ½ minutes and there are a number of clips from Napoleon.   Brownlow goes into detail regarding Gance’s liberation of the camera, editing and the story of Gance’s use of his gun to call ‘action’! This is fine stuff.

 

VIRGINIA RAPPE "Q&A" with Joan Myers

Ben Turpin Photo Album

Helen Holmes

Was Helen Holmes a friend?

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2006 SALLY DUMAUX

OLIVE THOMAS IN PRINT

Writer Michelle Vogel is putting her knowledge of Classic Hollywood on the printed page once again with Olive Thomas - The Life and Death of a Silent Film Beauty. Thomas, hailed the “most beautiful woman in the world” by artist Harrison Fisher, was a girl on her way to the top. Like many aspiring actresses, she traveled to Hollywood with a dream. She first won a beauty contest in New York which led her to a part in Florenz Zeigfeld’s “Follies”, and the rest, should have been film history. Instead, Thomas’ story took a tragic detour with her untimely and mysterious death at the young age of 25.

The Roaring 20s, as they were known, were full of parties and letting loose. World War I was over and everything seemed to return to normal. Maybe they had in Anytown, USA. In 1920s Hollywood, life was anything but normal. Vogel’s prologue takes us back in time to those golden and scandalous Tinseltown nights. The lives and infamous deaths of such stars as Roscoe "Fatty" Arbuckle, Wallace Reid and director William Desmond Taylor seem too surreal to believe; but, these are the people to whom we're immediately introduced. It’s the perfect setup to a love story, a drama and a mystery, the very things that Olive Thomas’ life would become.

Vogel takes us from the prologue and throws us into a virtual timeline. The book is full of beautiful photography and rare candids, including one of Thomas posing with the 1916 New York Yankees, and even a vintage skin cream advertisement promoting the 1918 film "Heiress For A Day".

Olive, a pretty face with an unending thirst for knowledge, would ask questions to the point of annoying those around her. To her, it was the natural way of things. Incredibly, she managed to finesse her way into directing a few scenes in one of her own movies. The readers must remember, this was a woman in an industry dominated by men. She eventually married into Hollywood royalty by becoming Mrs. Jack Pickford. Jack was the brother of Mary Pickford, America's Sweetheart. Though it seemed like Mary and her mother did not approve of the marriage, Olive kept her head up the way she always did. Jack and Olive often showered each other with lavish gifts, which included jewelry and the latest automobiles. Many times they'd be working on opposite coasts, so these extreme measures were most likely over-compensation for not seeing each other. Life appeared to be grand, until a fateful trip to Paris in 1920. Olive died from what was said to be suicide by poisoning.

We delve straight into the numerous speculations about Olive's death. Vogel examines the unexplained and the unsettling angles like a rogue detective. From her birth to her childhood, from her rise to stardom to her death and finally to her funeral (attended by some 15,000 people) and the investigation thereafter, we're escorted along as if it were happening all over again. In Chapter 10, we get a "special" addition to the haunting story! I won't spoil it, but this was a great additive that, in retrospect, was very fitting to a woman as persistant as Olive Thomas. The book even gives a detailed list of Olive's stage and film appearances. If Michelle Vogel's list of credits are any indication, this is the perfect tribute to a woman that many have long forgotten. Olive Thomas was already an icon in the making, a rival to Mary Pickford that never got the chance to shine as bright as she could have. This is a book for enthusiasts and novices alike. It's written in a way that is very easy to understand, despite its incredible amount of information and research.

Pre-orders are currently being taken for Olive Thomas - The Life and Death of a Silent Film Beauty. If you would like to purchase a copy (personally recommended!), you can click the following link to place your order: Order the book now!

 

HAPPY HAPPY JOY JOY - MICHELLE HAS DONE IT (AT LAST) !

 

 

Here's a link to the cover and description of the book on Olive Thomas:

http://www.mcfarlandpub.com/book-2.php?isbn=0-7864-2908-9

Olive Thomas
The Life and Death of a Silent Film Beauty
Michelle Vogel

ISBN 0-7864-2908-9
ca. 100 photographs, filmography, bibliography, index
  hardcover (7 x 10) 2007

$45
Not Yet Published, Available Spring/Summer 2007

Description
Olive Thomas was one of Hollywood’s first true movie stars. Born in Charleroi, Pennsylvania, in 1894, she moved to New York at age sixteen and began to pursue an acting career. By 1915, she had landed a job as one of Ziegfeld’s famous “Follies” girls. Before long her beauty was discovered by Hollywood, where she quickly became one of the biggest names in motion pictures. Her marriage to film star Jack Pickford further enhanced her popularity. Olive’s death by poison on September 10, 1920, created a media circus.

This biography begins with Olive’s birth, follows her trip to stardom, and covers in detail the circumstances surrounding her mysterious death at age 25. Rare and beautiful photographs and a complete filmography are included.

About the Author
Film historian Michelle Vogel is the author of Marjorie Main: The Life and Films of Hollywood’s “Ma Kettle” (2006), Children of Hollywood: Accounts of Growing Up as the Sons and Daughters of Stars (2005) and Gene Tierney: A Biography (2005). She lives in Brooklyn, New York.

Table of Contents & Excerpts

Related Books
Performing Arts/Film/Silent

BILLIE DOVE

FORD STERLING

 

 

 

FORD STERLING KEYSTONE COP FAME DIES IN HOLLYWOOD

 

 

Hollywood, Oct. 14 -(AP)- Ford Sterling, police chief of the old Keystone cops, is dead, but the type of comedy he popularized years ago soon may be revived.

     Sterling died late yesterday of a heart attack.  He had been in a hospital since June 1938, for treatment of thrombosis.  Last August, in an effort to save his life, his left leg was amputated.

     Today the film colony, mourning the cheerful actor who was linked with the very beginning of the motion picture industry, applauded reports that the Keystone comedies, which Sterling, Mack Sennett and Mabel Normand inaugurated, might be revived.

     “Hollywood Cavalcade,” a motion picture based in part upon Sterling’s comedies, was
 

released only this month, and the hilarious Keystone cops sequences proved so popular that studio executives are talking of a new Keystone series.

     A native of La Crosse, Wis., who clowned with a circus and played in vaudeville before entering pictures in company with Miss Mabel Normand and Charles Chaplin in 1912.  Sterling made more than 100 two-reel comedies during eight years with Sennett.

Audiences last saw him with “Alice in Wonderland.” Once wealthy, he had been in difficult financial straits in recent years.

     His widow, Actress Teddy Sampson, was to decide upon funeral arrangement late today.

 (Oct 13, 1939)

press to link to grave site

press to link to store

 

 

Here is a note from the author of the biographer of Ford Sterling, (you can link to purchase of this book at Mabel’s Store)

 
No wonder there is so much mis information for Sterling about, even the AP made errors. Last seen by audiences in ALICE IN WONDERLAND, I think not. Also wasn't aware Chaplin entered pictures in 1912 either! Sterling actually passed away on the 13th as the 14th Oct article notes, "Sterling died late last night". We went and put some flowers in a vase attached to his niche a few years ago, we suspect it was the first time anyone had bothered for years, I would like to go with you to remember the anniversary of his death but distance prevails. Good luck finding it, even the staff at the cemetery had a hard time locating it. It's on the bottom row in the old 'stand alone' crypt by the main crypt area (not the big white one, the one with the rotunda), his niche has water damage, the word 'Dawn' is written on the brass label, Sterling's name is not.  I tried on a couple of occasions to , if not get him moved to a more appropriate place, at least have his name put on the communal niche, there are five cardboard boxes containing ashes in there.
 
WWW
 

Mary Garden

Mary Garden was one of the stars of Sam Goldwyn’s galaxy of stars; Mabel was the first of this grouping of stars and I had posted information on Mary awhile ago but found this ad for perfume today and thought you might like to see it too. To re-read the post on Mary Garden just click on the perfume ad.

 

 

THE BARKER (1928)

by Marilyn Slater

I finally saw The Barker (1st National Picture 1928) at Cinecon on Monday morning after missing seeing it at UCLA; I was so pleased that Robert Gitt, the  was able to explain the strange and convoluted trip this film has made from the Broadway stage (1927) with Walter Huston as Niffy and Claudette Colbert as Lou to this semi-talkie with Milton Sills/Betty Compson/Dorothy MacKaill (Lou) and for me the magnificent and frankly beautiful Douglas Fairbanks, Jr.

As I watched it I can understand what a great part for Clara and your excitement at the remake into Hoop-La (1933).  The Hayes Office had their work cut out for them to sanitize it for Betty Grable's Billy Rose's Diamond Horseshoe (1945).  This film was terrific and every film lover needs to see it.  It has so much going for it – camera work – music – sound innovation – story

line – the midway culture – oh yes the performances.  The Barker was only one of the wonderful offerings at Cinecon but for me one of the highlights!

 

Let Me Stay in the Summer

Let Me Stay in the Summer


by William Thomas Sherman*


Let me stay in the Summer

in that space serene
where the cares of the world
don’t matter,
till Autumn unfurls
its colors in whirls
to calm and to sooth them.

Let me stay in the Summer
in the race clouds run
and processions of light
don’t shatter,
till downpours excite,
bringing respite,
to the dry waiting earth.

Let me stay in the Summer
where it's hot and still;
where sweet living abounds,
nor scatters
till the rising winds sound
and herald around:
"the time of mirth draws near!"


 
*Mabel’s friend, William Thomas Sherman 
of the MABEL NORMAND HOME PAGE 
sent us this lovely poem. 

My Lady's Lips (1925)

Saturday night (7/22)

When I saw the film, My Lady’s Lips, (1925) it was a nice surprise I was expecting to see an early Alyce Mills film with William Powell but I found a terrific performance by Ford Sterling as a gangster.  Most of the publicity I know about the film circles around William Powell, he is the star of this little social consciousness: morality play and besides he shaves off his mustache. 

David Stenn, who wrote Clara Bow: Runnin’ Wild, was setting about 4 rows ahead of me. Although Clara isn’t on screen very long when she is; it is hard to see anyone else or any thing else. I found I was holding my breath not realizing it.  I saw the back of a lot of interesting heads, that what I get for setting in the back row.

Ford was a much better actor then I have noticed in any of his Keystone shorts.  He appeared to handle the very menacing role of the head of a gangster syndicate very convincingly; he didn’t fall back on humor.  The role called for him to blind William Powell with a poison drink which could have turned into a comedy routine in the hands of a less skilled actor. 

He isn’t on the screen as much as I would have like; of course there is something to be said for leaving an audience, me wanting more.

I love sitting in a big theater, with live music and a marvelous print, among kindred sprits and yes, air conditioning and on top of all this: to be surprised by a wonderful performance. 

I received a wonderful email for the Ford Sterling scholar Wendy Warwick White,  the author of McFarland book on Ford. And she told me that …”What no one really knows is that Sterling actually went to the Academy of Performing Arts in NY graduating in 1904 and initially did mostly drama including Shakespeare. I have seen his performance in WILD ORANGES which is straight and he did a good job. Look at him in HE WHO GETS SLAPPED too, that is a totally straight role and I really don't think many people are aware they are watching Sterling in the role of the head clown. He was one of those really good actors who had comic timing and could be funny rather than just another person who either looked funny or fell over a lot with a custard pie!...”

 

 

Poisoned Paradise Review 1924

The review of Clara Bow in POISONED PARADISE:

The Forbidden Story of Monte Carlo (1924 – B.P. Schulberg) by Dario Witer is  well worth the read…I missed it and his review makes me realize what it was I missed and I am very sad about not going over to UCLA Sunday night to see it as part of the 13th Festival of Preservation.

press image to link to the review

Silent Movie Theater on Fairfax, Los Angeles California

Mrs Arbuckle (plus 3)

 

 

 

 

Mack Sennett

   DOWN MEMORY LANE (1949)

              PRESS TO VIEW

Phyllis Haver & Vera Steadman

This looks like the pictures being taken in the camera photo below...I think this is Malibu because of the rocks...?

N. Evans at beach taking pictures

 

 

 

 

 

 

Bathing Beauty 11

"Bathing Beauty 11" is a bunch of Sennett girls 
on the beach c1924/5 shot by George Cannons who 
did most of Sennett's stills from at least as 
early 1923 according to Steve Rydzewski.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

N. Evans contact sheets

 

 

 

 

 

 

 

 

 

Evans - Studio photos

 

 

 

 

 

Photos by Evans of Mary Miles Minter

 

 

GLORIA SWANSON by N. Evans

 

 

 

 

Mack Sennett Weekly Bathing Beauties

In the Mack Sennett Weekly, I found a number of pictures of Bathing Beauties, I think most of these are by Evans, but if you know, there is a place to communicate in “what’s new” on the navigation bar.  Although the images themselves are not terrific, the photos are labeled with the Beauty’s name, which is a great help for identifying other photos where you see them in the same swimsuits, as it is seldom that they shared suits.

 

(to see closeup of the images press on page)

NAZIMOVA

http://looking-for-mabel.webs.com/nazimova.htm

Alla Nazimova was born in Yalta, Crimea Russia, on May 22, 1879, and received her education in Zurich and Odessa, later attending the dramatic school at Moscow.  She began an active stage career in stock playing in her native land, where she created a favorable impression by her work.  Her American debut was made in Russian repertoire, and when the company which had brought her to America failed she remained, mastering the English language, and then appeared on the stage in one success after another.  Herbert Brenon introduced her to motion picture audiences, and she has since made a number of notable pictures.  Alla Nazimova is married, is an accomplished musician, playing the violin with skill, and is at home astride a horse.  She is 5 feet 3 inches in height, weighs 116 lbs., and has black hair and violet eyes.

               

NAZIMOVA was one of Mabel dearest friends

David B. Pearson's The Silent Movie Multiplex